Heavy in White: Distortions
“In her photographs, female nudes change form, overflow, and multiply, while deconstructing as classic text, the voluptuous female nudes of ancient Greek sculpture or Renoir.”
Ueno Chizuko, “Loves Body”, The Tokyo Metropolitan Museum of Photography
Jumping Rope, 1997, gold-toned silver gelatin print, w:10’’ h:8’’
Milk Drinker, 1997, gold-toned silver gelatin print, w:10’’ h:8’’
Apple Eater, 1997, gold-toned silver gelatin print, w:10’’ h:8’’
Back Torso With Calla Lily, 1997, gold-toned silver gelatin print, w:8’’ h:10’’
Bubble Blower, 1997, gold-toned silver gelatin print, w:10’’ h:8’’
Egg Crusher, 1997, gold-toned silver gelatin print, w:10’’ h:8’’
Grace, 1997, gold-toned silver gelatin print, w:8’’ h:10’’
How Do I Look, 1997, gold-toned silver gelatin print, w:8’’ h:10’’
Leaf, 1997, gold-toned silver gelatin print, w:8’’ h:10’’
Legs, 1997, gold-toned silver gelatin print, w:8’’ h:10’’
Seated Woman, 1997, gold-toned silver gelatin print, w:8’’ h:10’’
Spaghetti Eater II, 1997, gold-toned silver gelatin print, w:8’’ h:10’’
Spaghetti Eater, 1997, gold-toned silver gelatin print, w:8’’ h:10’’
Stretch, 1997, gold-toned silver gelatin print, w:8’’ h:10’’
Tea Drinker, 1997, gold-toned silver gelatin print, w:10’’ h:8’’
Woman with Lilies, 1997, gold-toned silver gelatin print, w:8’’ h:10’’
Woman with Roses, 1997, gold-toned silver gelatin print, w:8’’ h:10’’
Nails, 1997, gold-toned silver gelatin print, w:8’’ h:10